It’s an accurate representation of Garth Ennis being mad about having to work with superheroes despite not liking that at all and being a bit of a petty bitch with a bit of a dudebro sense of humor that, frankly, we all overrated at the time because when you were a teenager in the 90s you thought Preacher was hilarious and much smarter than it is, and it got to his head a bit.
And then it’s an accurate representation of Eric Kripke who was very much the right age to have gone through that, taking the material and going “well, that Trump guy sure was a thing, huh?” and “aren’t you kind of over all those MCU movies, also?” because superheroes in film were at the same point in 2019 than they were in comic books in 2006.
Don’t be the teenager we all were in the 90s and assume that “edgy and mean and over the top” is the same as “smart and realistic”. It’s not.
I’ll say that the show is at least less callous than the original material and it’s at least trying to be political, which makes it slightly more plausible and internally consistent than Ennis’ HR complaint of a comic book. Hollywood has a history of taking this edgelord crap (see also: every single Mark Millar adaptation) and making it palatable by applying the same mainstreaming and dumbing down that kills every Alan Moore adaptation. Turns out if the original material isn’t that smart to begin with that’s actually a good thing to do.
No, no, Jeff Ennis worked as an actual superhero briefly in the 1970s you’re thinking of John Ennis, who created The Boys as a musical in the 90s, but he was mad about his working conditions.
No, it’s much more interesting than that.
It’s an accurate representation of Garth Ennis being mad about having to work with superheroes despite not liking that at all and being a bit of a petty bitch with a bit of a dudebro sense of humor that, frankly, we all overrated at the time because when you were a teenager in the 90s you thought Preacher was hilarious and much smarter than it is, and it got to his head a bit.
And then it’s an accurate representation of Eric Kripke who was very much the right age to have gone through that, taking the material and going “well, that Trump guy sure was a thing, huh?” and “aren’t you kind of over all those MCU movies, also?” because superheroes in film were at the same point in 2019 than they were in comic books in 2006.
Don’t be the teenager we all were in the 90s and assume that “edgy and mean and over the top” is the same as “smart and realistic”. It’s not.
I’ll say that the show is at least less callous than the original material and it’s at least trying to be political, which makes it slightly more plausible and internally consistent than Ennis’ HR complaint of a comic book. Hollywood has a history of taking this edgelord crap (see also: every single Mark Millar adaptation) and making it palatable by applying the same mainstreaming and dumbing down that kills every Alan Moore adaptation. Turns out if the original material isn’t that smart to begin with that’s actually a good thing to do.
I’m slightly confused… Are you suggesting that Jeff Ennis, the creator of The Boys, previously worked alongside actual superheroes?
Edit: Oops, Garth*
No, no, Jeff Ennis worked as an actual superhero briefly in the 1970s you’re thinking of John Ennis, who created The Boys as a musical in the 90s, but he was mad about his working conditions.
Lol oops