• ruuster13@lemmy.zip
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        5 days ago

        Thank u for getting the reference but I really want to know. Is this some new acceptable form of blackface? Does he slather putty on himself? Is it a mask?

        • paranoia@feddit.dk
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          5 days ago

          Blackface implies caricature. This isn’t attempting to be African American.

          His visual media has quite a bit of this transhumanist stuff showing people made out of different materials, Hate or Glory shows a maniac who gets cast into gold for pleasure.

          Considering he was working with Lady Gaga, who is also known for these extreme runway looks, I would say it was quite appropriate.

          • jballs@sh.itjust.works
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            5 days ago

            I’m glad you provided a serious answer, because I thought the bottom picture was just a joke and not a reference to an actual person or thing that had happened.

        • Redacted@lemmy.zip
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          5 days ago

          I have no idea, ive just seen him live once. Afaik hes always done the mask thing

        • IronBird@lemmy.world
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          5 days ago

          listen, it’s 20256, you got to have a gimmick if you actually want to make it big in anything remotely “mainstream”. you think zoomers have the attention span to just watch someone in a suit sing?

    • lath@lemmy.world
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      5 days ago

      One could assume they’re slathered in oil to protest the fossil industry, but that would be an assumption.

  • Übercomplicated@lemmy.ml
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    5 days ago

    Gesaffelstein is hardly a pop culture figure, though; I don’t think many gen-z kids know him. But he’s an absolute icon of the 2010s dark techno scene.

    The Conspiracy singles were legendary. My Conspiracy Pt. 1 record has a More Cowbell joke on it, which I love. Weird record though, it’s 33 1/3 on one side and 45 on the other. And it doesn’t say that anywhere on the record, so it took me years before realizing I was listening to a slowed down Hatred. I kinda love the slowed down version, funny how that happens :P

      • hydroptic@sopuli.xyz
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        5 days ago

        Huh, interesting.

        I know some German so I understand what “Gesamtkunstwerk” is because the Finnish word for it is probably just a direct translation of the German one – “yhtenäistaideteos” (yhtenäis+taide+teos), loosely translatable as “unified work of art”

  • finallymadeanaccount@lemmy.world
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    5 days ago

    I’m in my fifties, but I’m still hip to what’s groovy. I know the name of the big artists. Uh … Wet Ass Pussy. The uh, those monitor head brothers … Around the World. Um … Billy Eyelash. The uh … the K-Pops!

  • quips@slrpnk.net
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    5 days ago

    As a Gessafelstein fan I am so surprised anyone knows who he is, hell I barely know who he is

  • venusaur@lemmy.world
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    5 days ago

    He’s been around for a while now so they must be pretty old or weren’t into the dance music craze of the 2010’s

    • splashgarden@lemmy.zip
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      5 days ago

      The top comment on this thread is frying me. Literally the most stereotypical “kids these days” comment I’ve ever read.

  • Geth@lemmy.dbzer0.com
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    5 days ago

    I was like who’s this guy and opened up his songs. The track Opr is in Cyberpunk 2077 and I love it so I guess I’m a Gesundheit fan now. His mask also reminds me of Lizzy Wizzy, which is cool.

  • rumba@lemmy.zip
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    4 days ago

    it could be worse, he’s at least worked with a lot of people i do know of

    Mike Lévy (born 24 June 1985), known professionally as Gesaffelstein (German: [ɡəˈzafl̩ʃtaɪn]), is a French music programmer, DJ, songwriter and producer from Lyon. Often called the “Dark Prince of Techno”,[1][2] he has worked alongside artists such as Lady Gaga, the Weeknd, Daft Punk, Kanye West, A$AP Rocky, Electric Youth, Haim, Miss Kittin, the Hacker, Jean-Michel Jarre, Lil Nas X, Charli XCX, Pharrell Williams and Chuck Ellis.

  • Elaine@lemmy.world
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    5 days ago

    I had to read all the comments before I believed this was an actual artist and not a photo of a mannequin placeholder.

  • Grail@multiverse.soulism.net
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    5 days ago

    Yeah the first time I can remember hearing a celebrity’s name and not knowing who they were, I was six. Another kid on the playground was telling Me about Michael Jackson and I hadn’t heard of him before. Kids these days.

  • ExLisper@lemmy.curiana.net
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    5 days ago

    This is on purpose. Kids can’t like the same things as their parents. They have to look for things their parents are against to feel rebellious and independent. For my generation it was nu metal. My mother was used to nice, elegant men wearing suits and considered any artist with esthetics rougher then Julio Iglesias as ‘not nice’. So we had Korn, Slipknot, Marilyn Manson and other weirdos. We had violence and gore to shock our parents and can’t be shocked with that so kids today have overly ‘erotic’ artists like Cardy B. ‘Look ma, I’m listening to an ex stripper. You don’t like that, right?’. Musically our artists were too aggressive for our parents and kids today have rap which for me sounds simply boring. And that’s fine, that’s by design. If my generation was into those artists kids wouldn’t like them. Of course the biggest artists are the ones that manage to span generations like Taylor Swift but that’s for non-rebellious part of society that just likes things they already know.

    • gigastasio@sh.itjust.works
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      5 days ago

      I’m sitting here reading your comment, thinking about how I’m 55 and listening to Lorna Shore and Whitechapel while my 4 year old son listens to Maroon 5 and Bruno Mars.

    • BarneyPiccolo@lemmy.today
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      5 days ago

      My kid went in the musical theater direction, which I was cool with. You have to put up with the “Look at me! Look at me!” energy from multiple kids at once, but they’re good kids, with lots of confidence, once they are away from the bullies and assholes. And they tend to be really funny in a smart way.

      I love theater kids.

  • phoenixarise@lemmy.world
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    5 days ago

    I used to be with it, but then they changed what it was. Now what I’m with isn’t it, and what’s it seems weird and scary to me. It’ll happen to you!

    • dethedrus@lemmy.dbzer0.com
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      5 days ago

      We can’t bust heads like we used to. But we have our ways. One trick is to tell stories that don’t go anywhere. Like the time I caught the ferry to Shelbyville. I needed a new heel for m’shoe. So I decided to go to Morganville, which is what they called Shelbyville in those days. So I tied an onion to my belt, which was the style at the time. Now, to take the ferry cost a nickel, and in those days, nickels had pictures of bumblebees on 'em. “Gimme five bees for a quarter,” you’d say. Now where were we… oh yeah. The important thing was that I had an onion on my belt, which was the style at the time. I didn’t have any white onions, because of the war. The only thing you could get was those big yellow ones…