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Joined 2 years ago
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Cake day: June 30th, 2023

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  • The Hunt for the Red October 4.5/5: Didn’t realize this was technically an early Jack Ryan movie. This is just perfect cold war espionage drama. The twists and turns keep you hooked and it feels well paced at 2:15

    The Roses 4/5: I’ve been bombarded by this ad in theaters but the movie was good. I enjoyed how I was laughing at totally different jokes than the 2 older women behind me. Maybe not worth seeing in theaters but worth a watch

    The Breakfast Club 4/5: It’s a classic for a reason. The kids talking about if they’ll still be friends is just so heartbreakingly real

    The Toxic Avenger 3.5/5: I am entirely unfamiliar with the source material, both comics and movies. However I found this funny, the satire was criticizing the right stuff and it was fun to watch

    Twinless 4.5/5: I really didn’t know anything about this going in. I thought it might possibly be a horror movie but it is not at all. The premise of a twin support group is really cool and the movie adds a lot of layers on top. It’s ambitious to write, star, and direct your own movie but I can’t argue with success

    The Fast and the Furious: Tokyo Drift 3.5/5: By far the peak of the series, which is an indictment considering there are 8 movies that follow it. The music rocks, the cars are so fucking cool, and it’s still largely practical effects while being partially grounded in reality (nobody drives a car in space)











  • It’s not pointless, it has a very clear point: centralize the police in the single territory free from the federal/state devide, where the entirety of the government that controls the country functions, and place it under the direct control of an autocratic ruler who has previously used control of this territory to avoid consequences for his crimes

    The primary difference is he’s doing it in year 1 in preparation for what he’s about to do instead of retroactively in the last 20 days to try to save his ass. If that doesn’t scare the shit of of you then it should






  • Weapons 4.5/5: I love the trend of comedy writers moving into horror. It’s very deliberate and really well made. Not quite as good as Barbarian but I’m looking forward to more

    Together 3/5: It’s pretty entertaining but it really marks a lot of time. More eldritch horror and less plodding would get this movie where it needs to be

    The Texas Chainsaw Massacre 3.5/5: Honesty until the 4th teen dies I was on Leatherface’s side. You’re in bum fuck nowhere Texas in the 70s, you ignore a creepy old guy saying “you shouldn’t be here”, you get stabbed by a drifter, then you break into obviously a hunter’s house. What the fuck did you think would happen besides you getting murdered?

    Flow 4.5/5: Beautiful. This is what cinema is about, beautiful stories that can universally deliver. Congrats Latvia, you earned this


  • I watched an interview with Paul Rudd where he described Robinson’s process and it really cleared things up for me. He said Robinson took the script and the first thing he did was “take all the jokes out”. He thinks the funniest moments in movies and TV are never the ones that are intentionally trying to be funny. So he builds insane characters and situations that are comedic but doesn’t actually make jokes. Obviously it doesn’t work for everyone but I will say the single hardest time I have laughed in a movie theater was this year, watching Friendship, and I was the only person in the theater laughing at the “joke”. I laughed so hard and long I caused cascading laugh reactions to me laughing so hard