Welcome to the era of only Spotify Plays matter - let’s take a look at the underbelly of streaming scams affecting independent artists.
Welcome to the era of only Spotify Plays matter - let’s take a look at the underbelly of streaming scams affecting independent artists.
That bitrate seems low? I always thought 160-192kbps was the floor for a decent sounding rip, but it’s been over a decade since I’ve even had a CD so maybe things are different now
The Bitrate part was a joke, yes. 96k is low, although I just remembered a special mp3 codec from NERO that allowed for such low bitrate, at the same perceived sound quality as 128kbps.
But obviously, all my CDs have been ripped as either V2, V0 or 320kbps - I personally have not noticed any difference to FLAC files with either of those qualities, I guess my ears are not sensitive enough.
Almost no one can, or have equipment that can make the difference. That being said, the difference between an old mp3 and a new one is sometimes noticeable at the same bitrate. The encoding algorithm has improved a quite lot since the late 90s. I bet a lot of people who say they hear the difference think about those old encodes.
I keep flacs as a master format that I make new encodes from when I want it on my phone and such though.
Opus/ogg @256 sounds at least as good as mp3 @320.
Yeah, that’s low. I don’t bother with anything below 320 kbps.